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I'm currently working through a series of college lectures about the history of real pirates (for reasons) and, unsurprisingly, actual history is not nearly as white as Hollywood and western publishing industries would have you believe. This has got me thinking about the casting in House of the Dragon due to the recent ~discourse~ around it and That Other Fantasy Show I Shall Not Mention, as well as the extremely white casting of Game of Thrones by contrast.

It's fascinating to me that the "HiStORiCaL aCcUrAcY" arguments are always trotted out to defend extreme onscreen violence perpetrated on female bodies, irregardless of how accurate any of that violence can be said to be, or an author's defaulting to misogyny as world-building. "Well, that's just the way things were." The way things were WHEN, exactly? Westeros is not a real place, it has never really existed and neither have dragons (sadly), so to which real history can one possibly be referring? The "history" of Westeros is a completely fabricated fiction, which takes inspiration from real history at the author's sole discretion. There's nothing that says this fantasy world must include misogyny; that's a choice made by the author.

And I'm not saying it's a wrong choice. So far, HOTD is doing interesting, productive things in its exploration of the patriarchy and the ways in which it negatively impacts people of all genders. But Westeros does not include misogyny because it's "historically accurate." Misogyny is included because George R.R. Martin decided it would be.

And people are perfectly fine with accepting that...right up until it's about the author/showrunner deciding to include, say, people of color. Flimsy 'HiStORiCaL aCcUrAcY" arguments come out again, but when counterarguments using actual real history are employed, suddenly accuracy is no longer so important. Now it's "consistency" or whatever else.

And it's not that consistency can't or shouldn't be a concern. As much as I'm thrilled every time I see an Asian person, or any other person of color onscreen, there's a pesky voice in the back of my head asking, "If there are people of color in Westeros now, why are they all gone 200 years later?" Answering that question has possibly unintentionally distressing implications.

But I doubt any of the naysayers are actually concerned with that.

To bring this back around: Pirates.

My other favorite Westerosi House is the Greyjoys. On GOT, House Greyjoy is...very white. Despite the fact that in the books the ironborn, and Greyjoys specifically, are described as having black hair and eyes, and Theon in particular is said to be "dark featured." Beyond just the physical, the ironborn can also be argued to be racially coded, and the Seven Kingdoms rather sketchy annexation of the Iron Islands is suspicious to say the least. The Iron Islands, even more than Dorne which is eventually brought into "the fold," maintain a culture separate from the mainland, continually assert that the Iron Throne does not and cannot command them, and still frequently raid and pillage the mainland up until the "modern day" in GoT. One of the titular five kings that make up the War of the Five Kings is a Greyjoy.

So, why in the heck are they all white, with light hair and eyes to boot? I suspect the answer is somethingsomething historical accuracy somethingsomething, which, despite "historical accuracy" not being a valid argument, if we are going to reference actual history...a good number of pirates weren't white. Not to mention, there are entire pirating traditions that are exclusively not white (the course I'm taking, although very white-centered, still frequently makes mention of, for instance, Chinese pirates and how their codes differed from western pirates). White Europeans do not have any sort of sole claim on historical seafaring piracy, and even if they did, it doesn't follow that they should in a made-up fantasy world.

This leaves me to wonder what HOTD is going to do with the Greyjoys, since the ironborn take the Dance of the Dragons as an opportunity to do quite a bit of piracy off the coast of Lannisport, in possible later seasons. At the very least, the ironborn should be more racially mixed, given their tradition of taking salt wives from whomever they despoil. This is, of course, assuming HOTD will include the Greyjoys, which it may not for streamlining reasons, since their involvement in the events of the Dance are peripheral.

SIDE NOTE: Also, I just think all the stink about HOTD including POC is hilarious since there are still barely any characters of color in the actual main cast. House Velaryon is really the only major exception. AND YET. This mostly serves to underline for me just how racially gatekept and whitewashed fantasy is as a genre, if even the slightest shift in that paradigm can cause such upset.
timegoddessrose: (Default)
So, House of the Dragon.

[Spoilers and such]

I am just...a little bit obsessed with the Targaryens as essentially a people of diaspora.

The Houses Targaryen and Velaryon as the last survivors of a culture (and, honestly, a race) that has been lost to the wider world. But the Targs in particular, since House Velaryon has been in Westeros longer. The Targs who foresaw and fled the Doom of Valyria but who are constantly trying to go home. Building shrines to their dragons when they die, dragons they continue to name for gods and goddesses of Valyria that no one worships anymore including themselves as necessity called for them to convert to the Faith of the Seven to appease this land they've "conquered." They all speak the Common Tongue but studiously preserve their own mother tongue that almost no one else in Westeros speaks. Rhaenyra and Daemon in particular speaking to each other in High Valyrian like they're trying to rebuild the home between them that they can never return to.

The deep longing and sadness at the core of this family, conquering but never belonging, ruling but never resting. Forever outsiders, forever foreigners, forever just a little bit other. They are of no one and no place, always looking to the skies with a longing that aches, borne aloft on dragonback with wings that can take them anywhere except for home. And the tragedy that they cannot even find peace amongst themselves, and are doomed, like Valyria, to destroy themselves.

And all of that is so clear in House of the Dragon, and I'm absolutely living for it. This was always my favorite aspect of Daenerys' story in ASoIaF/GoT, what was always the most resonant for me. It just so happens as I write this that in my GoT rewatch I've started S5, which is the season with the most Sehnsucht re: Dany as a Targ, which is perhaps why I am pining so hard myself.

Anyway...

I've often said about Game of Thrones that you can have all the gorgeous sets and locations in the world, beautiful costume design, a (mostly) good cast, but none of it matters if the writing is bad. HotD proves that in spades, because the only functional difference between it and GoT is the quality of the writing. It's the same world, drawing from source material from the same author, with the same production value and resources at its disposal, but even just this first episode is miles better than its predecessor. And that's because, frankly, it has entirely different writing staff and showrunners.

Ryan Condal was the biggest unknown quantity to me going into the premiere, having seen none of his previous work, and he's the headwriter and showrunner, so I was RATHER ANXIOUS. But that anxiety seems to have been misplaced. The writing of this first episode is superb and better than anything GoT ever made me suffer through.

The opening sentence of the Fire & Blood chapter that this first episode is named for, The Heirs of the Dragon, is as follows: "The seeds of war are oft planted during times of peace." Which is a great way to describe the episode, to be honest. It does a beautiful job establishing the state of the world during the height of the Targaryen dynasty just before its self-inflicted decline and showing in loving detail exactly what is about to be lost. I still question the decision to begin with the Dance of the Dragons, which starts halfway through the first volume of Fire & Blood, rather than the Conquest which begins the dynasty. But if you are going to begin a story here, this is how to do it.

I just. I'm out of poetry. I've been working on this post off and on for days. So just know: I'm a tiny bit taken with this show. And relieved beyond measure. Maybe finally, finally, we're going to get an adaptation of this source material that isn't embarrassing to admit to liking.
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My last entry was, perhaps predictably, prematurely optimistic re: sleep disruption, but it has actually gotten better more recently. Still, the pseudo-life crisis partially causing it has not abated, and I'm starting to feel a certain amount of decision paralysis and sheer panic, which I am steadfastly attempting to ignore. Very predictably, this does not, in fact, make any of the problems go away, but merely forestalls them, leading to--you guessed it--more panic.

I'm at an impasse with reading and general media consumption as well, which is unhelpful but fairly typical. Work on draft 6 of Novel 1 has also slowed to a crawling almost-halt, which only further fuels the feelings of paralysis and panic.

So, all in all, I'm Not Doing Great(TM).

On the bright side, about the only piece of media I am successfully consuming is House of the Dragon, which I am delighted to discover is Actually Good, unlike its predecessor Game of Thrones. Although I am thrilled with the first episode and am bursting with Thoughts, I also find myself with a dearth of spoons, so alas. But I will say, Daemon Targaryen is quite possibly the best adapted Song of Ice and Fire character to date and is played absolutely flawlessly by Matt Smith (all the haters to the left), both of these things are very good for me because my actual favorite Targ is, in fact, not Dany (believe it or not) but is rather Daemon. Shocking, I know, since nearly all of my friends know me as a notoriously staunch Dany stan. And I am! But in actual fact, Dany barely makes my top five favorite Targs, it's just that, until recently, she was all I had insofar as live action adaptations.

When I have more time/spoons, I shall try to write more in-depth concerning my HotD feelings, because oh boy oh boy, do I ever have a lot of them.

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